Variants (11)
New and Improved Bartenders' Manual by Harry Johnson (1900, p.267) — Harry Johnson 1900
- Add the fine-shaved ice, gum syrup, orange bitters, absinthe, and Plymouth gin to a large bar glass.
- Stir up well with a spoon.
- Strain into a cocktail glass.
- Add an olive, squeeze lemon peel on top, and serve.
Garnish: Olive, with lemon peel expressed on top
Ice: Fine-shaved ice
- Nose
- The absinthe gives the nose a sharper and greener aromatic line than some of the neighboring gin cocktails.
- Palate
- Olivette is a drier and more spirit-direct late cocktail than many of Johnson's sweeter aromatic variants, showing how the gin aperitif line keeps tightening.
- Finish
- The finish is dry, herbal, and orange-bittered.
- Summary
- A sharply aromatic gin cocktail helping map the tightening dry line before the modern martini settles.
The late Johnson cocktails matter in part because they are not all the same. Olivette shows a distinct absinthe-marked branch within the broader gin-aperitif world.
The gum must be minimal. This drink wants structure and dryness, not overt sweetness.
The Hoffman House Bartender's Guide by Charles S. Mahoney (1905, p.154)
- Stir the shaved ice, gum, orange bitters, absinthe, and Plymouth gin with a spoon.
- Strain into a cocktail glass, add an olive, squeeze lemon peel on top, and serve.
Garnish: Olive and expressed lemon peel
Ice: Shaved ice
How to Mix Drinks by George L. Spaulding and W. Rositer (1906, p.15) — Spaulding and Rositer 1906, cocktails section
- Use large glass, stir ingredients with ice, strain into cocktail glass, add olive, and twist lemon peel on top.
Garnish: Olive and lemon peel
Ice: Ice
Jack's Manual by J. A. Grohusko (1908, p.49) — Grohusko 1908
- Stir the syrup, orange bitters, absinthe, Angostura, and Plymouth gin with ice.
- Strain into a cocktail glass, add an olive, twist lemon peel on top, and serve.
Garnish: Olive and twisted lemon peel
Ice: Ice
- Nose
- Lemon, absinthe, and olive rise over the gin.
- Palate
- This is a very useful pre-war aperitif variant because it shows how decorative garnish, absinthe shading, sweetness, and savory olive garnish could all coexist inside the same gin cocktail logic.
- Finish
- The finish is cool, savory, and lightly anisic.
- Summary
- A richly dressed Plymouth-gin aperitif from the stranger side of the Martini world.
Jack's Manual by J. A. Grohusko (1910, p.69)
- Stir the syrup, orange bitters, absinthe, bitters, dry gin, and ice with a spoon.
- Strain into a cocktail glass, add an olive, twist lemon peel on top, and serve.
Garnish: Olive and lemon peel
Ice: Half bar glass of ice
The Buffet Blue Book by John H. Considine (1912, p.43)
- Stir the ice, syrup, orange bitters, absinthe, and Plymouth gin with a spoon in a large bar glass.
- Strain into a cocktail glass, put in an olive, twist lemon peel on top, and serve.
Garnish: Olive and twist of lemon peel
Ice: Ice
Straub's Manual of Mixed Drinks by Jacques Straub (1913, p.39) — Straub 1913
- Stir well.
- Twist lemon peel on top and serve.
Garnish: Lemon peel
This is a strong marker for how intensely seasoned the pre-war dry gin and vermouth field could still be.
Rawling's Book of Mixed Drinks by Ernest P. Rawling (1914) — Rawling 1914, cocktail section
- Stir with lump ice, strain, twist lemon peel on top, and serve with an olive.
Garnish: Lemon peel and olive
Ice: Lump ice
Harry of Ciro's ABC of Mixing Cocktails by Harry of Ciro's (1923, p.65) — Harry of Ciro's 1923
- Shake well and strain into cocktail glass with an olive.
- Squeeze lemon peel on top.
Garnish: Olive and lemon peel
This matters because it preserves another lean pre-Prohibition aperitif branch in the London 1923 field.
The olive service and heavy seasoning with absinthe and orange bitters define the drink here.
L'Art du Shaker by Dominique Migliorero (1925, p.47)
- Stir very cold and serve.
Barflies and Cocktails by Harry McElhone and Wynn (1927, p.56) — Barflies 1927
- Shake well and strain into a cocktail glass with an olive.
- Squeeze lemon peel on top.
Garnish: Olive and lemon peel
This matters because it keeps the olive-and-absinthe aromatic branch distinct in the late McElhone field.