How to Mix Drinks; or, The Bon-Vivant's Companion by Jerry Thomas (1876, p.32) — Jerry Thomas 1876
| 1 whole | lemon peel — peel of a small lemon | acid |
| 2 oz | brandy — brandy | base |
| 4 oz | water — water | dilution |
| 5 dash | Curaçao — curaçao | modifier |
| 2 oz | Acetic acid — acetic acid | other |
| 2 tsp | Simple syrup (1:1) — simple syrup | sweetener |
| 1 tsp | strawberry syrup — strawberry syrup | sweetener |
- Mix the ingredients with ice.
- Serve in a large goblet.
- If possible, garnish with a slice of peach or apricot.
Garnish: Peach or apricot slice, if possible
Ice: Ice
- Nose
- Strawberry, citrus peel, and brandy rise with a sharp sweet-sour edge.
- Palate
- It is curious and old-fashioned in the best sense, with acidulation and syrups producing a bright but slightly artificial Victorian contour.
- Finish
- The finish is fruity, tart, and unexpectedly lingering.
- Summary
- A small-format punch that captures a more confectioned and chemically mediated side of nineteenth-century mixing.
Punch Grassot is valuable because it preserves a pre-fresh-juice acidulating logic that later becomes unusual. Acetic acid here is not an error but a reminder that nineteenth-century bar acidity could be engineered as well as juiced.
This is one to read historically rather than casually modernise away. Its oddness is part of its value, though any practical reconstruction would need care with the acid component.
Compared with the more fruit-natural bar-glass punches, Grassot is more compounded and almost proto-cordial in character. It widens the ontology's view of what 'punch' could mean in practice.