Variants (5)
Bartender's Manual by Theodore Proulx (1888, p.34) — Theodore Proulx 1888
- Put the bitters and pulverized sugar into a bowl champagne glass.
- Fill the glass half full with seltzer.
- Hold a lump of ice above the glass with pinchers and pour the vermouth over the ice into the glass.
Ice: 1 lump
- Summary
- A showy vermouth-and-seltzer drink where the pour over ice is part of the display.
Royal Cocktail is useful because it shows vermouth service branching into visually performative sparkling service rather than staying only in stirred aperitif form.
The raised-ice pour is central to the look of the drink and is explicitly part of its attraction.
Compared with Martini, this is longer, lighter, and much more display-oriented.
The Buffet Blue Book by John H. Considine (1912, p.48)
- Stir the ice, maraschino, orange bitters, absinthe, and Stomach Bitters in a large bar glass.
- Add sherry, strain into a cocktail glass, and serve.
Ice: Ice
The sherry amount is OCR-soft and preserved conservatively.
Recipes for Mixed Drinks by Hugo R. Ensslin (1917, p.29) — Ensslin 1917
- Shake well in a mixing glass with cracked ice.
- Strain and serve in a Fifth Avenue glass.
Ice: Cracked ice
This matters because it preserves a plain egg-and-gin royal branch before later categories tidy such drinks into narrower families.
The whole egg is central to the drink's texture and identity, not an incidental embellishment.
Harry of Ciro's ABC of Mixing Cocktails by Harry of Ciro's (1923, p.73) — Hotel Royal, Nice
- Shake well and strain into cocktail glass with a cherry.
Garnish: Cherry
This matters because it preserves a named Riviera hotel branch in the London 1923 aperitif field.
The small maraschino accent is the key differentiator from plainer gin-vermouth-cherry structures.
Barflies and Cocktails by Harry McElhone and Wynn (1927, p.69) — Hotel Royal, Nice, 1908 attribution
- Shake well and strain into a cocktail glass with a cherry.
Garnish: Cherry
This matters because it preserves a named Riviera hotel-bar aromatic branch inside McElhone's later canon.