Recipe variants
recipe_variants · showing 6601–6650 of 16953
| id | recipe_id | variant_label | is_recommended_spec | source_book | source_author | source_year | source_page | source_pdf_filename | method | garnish | ice | tasting_nose | tasting_palate | tasting_finish | tasting_summary | historical_notes | technique_notes | personal_notes | variant_commentary |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 5411 | 2042 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 17 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice.", "Shake well, strain into a cocktail glass, and serve."] | — | Lump ice | — | — | — | — | This matters because it preserves another whiskey aromatic branch that sits between plain bitters-and-whiskey logic and orange-liqueur elaboration. | The shake is part of the period service grammar here rather than an error to be corrected. | — | — |
| 5415 | 2043 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 18 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass half full of shaved ice.", "Add fresh strawberries and gin, shake well, strain into a cocktail glass, and serve."] | — | Shaved ice | — | — | — | — | This matters because it preserves a fresh-strawberry gin branch in club service rather than only fruit syrups and cordials. | The fresh fruit is structural here; this is not a syrup shortcut. | — | — |
| 6077 | 2043 | Vancouver Club | 0 | About Town Cocktail Book | Joe Fitchett | 1925 | 8 | 1925 About Town Cocktail Book by Joe Fitchett.md | ["Crush the fruit well in the shaker with the other ingredients and shake thoroughly.", "Strain very fine so no pips pass through."] | — | — | — | — | — | — | This matters because it preserves a club-checked crushed-fruit aromatic branch rather than a fully standardized canonical cocktail. | The instruction to strain very fine and keep fruit pips out is the key service detail here. | — | — |
| 5417 | 2044 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 27 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass half full with shaved ice.", "Stir, strain into a cocktail glass, and serve."] | — | Shaved ice | — | — | — | — | This matters because it shows another whiskey branch sitting between aromatic and sour logic rather than neatly inside one later category. | The build stays stirred despite the lemon, which is exactly the kind of period ambiguity worth preserving. | — | — |
| 7632 | 2044 | Feery 1932, home-supplies opening run | 0 | Wet Drinks For Dry People | William C. Feery | 1932 | — | 1932 Wet Drinks For Dry People by William C Feery.md | ["Fill the glass with shaved ice and pour ingredients over it. Garnish with a maraschino cherry."] | Maraschino cherry | Shaved ice | — | — | — | — | — | — | — | — |
| 5424 | 2045 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 39 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass with shaved ice.", "Shake, strain into a cocktail glass, and serve."] | — | Shaved ice | — | — | — | — | This matters because it preserves a strongly quinine-bitter pre-war branch that sits outside the better-known vermouth aperitif lane. | The equal-sized bitter and spirit portions make this a real structural alternative, not just a modifier dash variation. | — | — |
| 5426 | 2046 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 41 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass half full with shaved ice.", "Shake well, strain into a tall thin glass, fill up with plain soda, stir gently, and serve."] | — | Shaved ice | — | — | — | — | This matters because Bullock preserves a long Jamaican-rum branch with curacao and soda that sits between sour and highball logic. | The final soda top-up is part of the structure, not an optional lengthening note. | — | — |
| 5429 | 2047 | Chicago Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 46 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice.", "Stir well, strain into a cocktail glass, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves a specific Chicago-style Gillette rather than treating the lime-and-gin family as generic. | The source keeps it stirred despite the lime, which is an important period service detail. | — | — |
| 5430 | 2048 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 47 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice.", "Stir, strain, and serve in a cocktail glass."] | — | Lump ice | — | — | — | — | This matters because Bullock keeps the applejack-and-vermouth field alive under a clearly regional American name. | Its value lies in the base-spirit identity; applejack remains a live cocktail spirit here, not a relic. | — | — |
| 5433 | 2049 | St. Louis Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 49 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice.", "Shake well, pour into a tall thin glass, add a bottle of imported club soda, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves a St. Louis house-style julep descendant that has already drifted far from classical bourbon-mint service. | The club-soda finish is part of the identity; this is a regional long-drink branch under the julep name. | — | — |
| 5434 | 2050 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 50 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large bar glass with cracked ice.", "Stir well, strain, and serve with an onion."] | Onion | Cracked ice | — | — | — | — | This matters because Bullock treats the onion-garnished branch as its own named drink rather than just a garnish instruction on a Gibson. | The explicit note that no bitters are used is a key identity detail and should be preserved. | — | — |
| 5436 | 2051 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 50 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use an old-fashion toddy glass with one lump of ice.", "Stir well and serve."] | — | Lump ice | — | — | — | — | This matters because it preserves Ojen as a named cocktail-service form rather than just a spirit mentioned in passing. | The formula is minimal, so the fact that Bullock gives it named direct-glass service is historically important. | — | — |
| 5672 | 2051 | Down the Hatch 1920 | 0 | Down the Hatch | "Paul" | 1920 | 20 | 1920 Down the Hatch.md | ["Fill tumbler with ice and stir contents with spoon to get required amount.", "Serve."] | — | Ice | — | — | — | — | This matters because it preserves Ojen as a standalone bar-service identity rather than a footnote to absinthe history. | Its spareness is the point: a tiny anise spirit and bitters service over ice. | — | — |
| 7191 | 2051 | Morales seltzer service | 0 | Cocktails | Pedro Chicote | 1928 | 193 | 1928 Cocktails by Pedro Chicote.md | ["Build in a large glass over plenty of ice, top with seltzer, stir until very cold, then pass to a cocktail glass."] | — | Plenty of ice | — | — | — | — | This matters because it preserves a branded Ojen-and-seltzer service form in the Madrid bar world. | The source presents this as a built, stirred, then transferred service rather than a standard shaken cocktail. | — | — |
| 7709 | 2051 | — | 0 | Cocktails Bar La Florida | Constante Ribalaigua Vert | 1934 | 179 | Cocktails Bar La Florida by Constante Ribalaigua Vert (1934).md | ["Shake well and strain."] | — | Cracked ice | — | — | — | — | — | — | — | — |
| 9305 | 2051 | — | 0 | Famous New Orleans Drinks and How to Mix 'Em | Stanley Clisby Arthur | 1938 | 40 | Famous Orleans Drinks and How to Mix ‘Em by Stanley Clisby Arthur (1938).md | ["Stir the ojen and Peychaud's with ice in a bar glass.", "Add a little seltzer or other charged water, strain into a frapped cocktail glass, and serve."] | — | — | — | — | — | — | — | — | — | — |
| 5437 | 2052 | Country Club Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 52 | 1917 The Ideal Bartender by Tom Bullock.md | ["Shake well with ice.", "Strain into a highball glass and serve."] | — | 1 lump ice | — | — | — | — | This matters because Bullock gives us a specific Country Club Ramos branch rather than generic Ramos lore. | The milk and orange-water detail are central to this variant's identity and should not be blurred into a generic gin fizz. | — | — |
| 7695 | 2052 | — | 0 | Cocktails Bar La Florida | Constante Ribalaigua Vert | 1934 | 164 | Cocktails Bar La Florida by Constante Ribalaigua Vert (1934).md | ["Shake very well and strain."] | — | Cracked ice | — | — | — | — | — | — | — | — |
| 9308 | 2052 | — | 0 | Famous New Orleans Drinks and How to Mix 'Em | Stanley Clisby Arthur | 1938 | 44 | Famous Orleans Drinks and How to Mix ‘Em by Stanley Clisby Arthur (1938).md | ["Combine the ingredients in the order given in a tall bar glass.", "Add crushed ice that is coarse enough to help whip the egg and cream.", "Shake long and steadily until the mixture gets body, then strain into a tall thin serving glass and serve."] | — | — | — | — | — | — | Arthur gives a detailed origin story linking the drink to Henry C. Ramos and the Hotel Roosevelt succession. | — | — | — |
| 5438 | 2053 | Country Club Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 53 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice.", "Shake well, strain into a cocktail glass, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock gives us a gin-based Country Club September Morn rather than the Bacardi line seen elsewhere in the corpus. | The change of base spirit is the key historical fact and should not be flattened into a generic pink drink. | — | — |
| 5439 | 2054 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 54 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a tall, thin glass filled with fine ice.", "Leave in the ice, stir well, and serve."] | — | Fine ice | — | — | — | — | This matters because Bullock preserves a long, lightly built stone-sour branch rather than a tight stemmed sour template. | The service over fine ice without straining is central to the drink's identity. | — | — |
| 5440 | 2055 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 55 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass with lump ice.", "Shake well, strain into a Champagne glass, fill with seltzer, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves a bourbon-vermouth long branch that sits between cocktail, sour, and highball logic. | The Champagne-glass and seltzer finish are both part of the drink's identity and should be kept together. | — | — |
| 5441 | 2056 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 17 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass with lump ice.", "Shake, strain into a cocktail glass, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves another Old Tom-orange branch in the late pre-Prohibition cocktail field without reducing it to Martini logic. | The simple shaken orange-and-bitters structure is the defining feature here. | — | — |
| 5443 | 2057 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 20 | 1917 The Ideal Bartender by Tom Bullock.md | ["Drop one piece of ice into a highball glass.", "Build the drink, fill with Apollinaris or seltzer, and serve."] | — | 1 piece ice | — | — | — | — | This matters because Bullock preserves a whiskey-sherry highball branch rather than a simple spirit-and-soda template. | The long service and dual sparkling-water option are central to the drink's identity. | — | — |
| 5461 | 2058 | St. Louis Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 27 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice and drop in the squeezed lime.", "Add the whiskey, fill with sweet soda, stir well, and serve."] | Squeezed lime in glass | Lump ice | — | — | — | — | This matters because Bullock preserves a named regional rickey branch using sweet soda rather than the more canonical dry mineral-water model. | The sweet-soda finish is the defining difference and should not be normalized away into a generic rickey. | — | — |
| 5471 | 2059 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 31 | 1917 The Ideal Bartender by Tom Bullock.md | ["Break a fresh egg into a large bar glass and add sugar and cracked ice.", "Fill with sweet cider, shake, strain into a tall, thin glass, grate nutmeg on top, and serve."] | Grated nutmeg | 4 lumps cracked ice | — | — | — | — | This matters because Bullock preserves the orchard branch of the eggnog family rather than only spirit-heavy holiday forms. | The cider base is the key historical fact and should not be normalized into a generic eggnog. | — | — |
| 5477 | 2060 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 33 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass three-quarters full of shaved ice and shake with the still ingredients.", "Strain into a tall, thin glass, fill up with Apollinaris or seltzer, dress with fruit, and serve."] | Fruit | Shaved ice | — | — | — | — | This matters because Bullock preserves a lengthened club-service branch that sits between claret punch and highball logic. | The sparkling finish is the point of the variant and should remain visible. | — | — |
| 5478 | 2061 | For a party of 20 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 34 | 1917 The Ideal Bartender by Tom Bullock.md | ["Mix in a large punch bowl and set the mixture aside in the ice box for six hours.", "Place a block of ice in another bowl, strain in the mixture, dress the ice with fruit, and serve with a ladle into punch glasses."] | Fruit on the ice block | Block of ice | — | — | — | — | This matters because Bullock preserves a practical club entertaining punch that sits between house hospitality and formal bowl service. | The pre-chilling period and later strained transfer onto a dressed ice block are both part of the serving logic. | — | — |
| 5480 | 2062 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 37 | 1917 The Ideal Bartender by Tom Bullock.md | ["Rub the sugar on citrus skins, then mix thoroughly with the fruit, Apollinaris, liqueurs, spirits, and wines and strain into another bowl over a block of clear ice.", "Pour in the champagne, decorate the ice with fruit and berries, and serve in punch cups or glasses, dressing each glass from the bowl."] | Fruit and berries from the bowl | Block of clear ice | — | — | — | — | This matters because Bullock preserves a full country-club luxury punch grammar with citrus-oil sugar, long maceration logic, and individually dressed cup service. | The citrus-oil sugar and final per-glass fruit dressing are both important parts of the historical service pattern. | — | — |
| 5485 | 2063 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 39 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with shaved ice.", "Shake well, strain into a thin stem glass, and serve."] | — | Shaved ice | — | — | — | — | This matters because Bullock preserves a small late aromatic sour-liqueur hybrid that later histories often lose entirely. | The small stemmed shaken service keeps it in the aperitif/dram world rather than the long-drink field. | — | — |
| 5486 | 2064 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 40 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass three-quarters full of shaved ice.", "Shake hard, strain into a thin bar glass, dress with fruit, dash with seltzer, grate nutmeg on top, and serve."] | Fruit and grated nutmeg | Shaved ice | — | — | — | — | This matters because Bullock preserves a late hybrid punch that still mixes wine, liqueur, egg-white, fruit, and sparkling service in one glass. | The egg-white body plus final seltzer and nutmeg finish are central to the drink's identity. | — | — |
| 5487 | 2065 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 40 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill a large bar glass three-quarters full of shaved ice.", "Stir well, strain into a fancy sour glass, dress with fruits, dash with Apollinaris or seltzer, top with a little claret, and serve."] | Fruits | Shaved ice | — | — | — | — | This matters because Bullock preserves a late sour line still willing to layer wine, cordial, sparkling water, and top-off wine in one dressed glass. | The sparkling dash and claret top are essential to the drink's structure and should not be normalized away. | — | — |
| 5488 | 2066 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 41 | 1917 The Ideal Bartender by Tom Bullock.md | ["Drop a lump of sugar into a hot water glass and dissolve it in a little hot water, crushing with a muddler.", "Add the whiskeys, fill with boiling water, twist a piece of lemon peel, grate nutmeg on top, and serve."] | Twisted lemon peel and grated nutmeg | — | — | — | — | — | This matters because Bullock preserves a compact hot punch branch built directly in the glass rather than only in bowl or toddy form. | The split-base whiskey build and hot-water-glass service are the key historical features here. | — | — |
| 5493 | 2067 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 43 | 1917 The Ideal Bartender by Tom Bullock.md | ["Roast the orange, cut it in quarters, and simmer it with a few cloves, the hot port wine, and the sugar for thirty minutes.", "Serve in stem glasses with nutmeg grated on top."] | Grated nutmeg | — | — | — | — | — | This matters because Bullock preserves a hot bishop line in a period often remembered mainly for chilled cocktails. | The roasted-orange preparation is the core historical fact and should remain explicit. | — | — |
| 5494 | 2068 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 43 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass with lump ice.", "Shake and strain into a cocktail glass."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves another compact Bacardi-lime-egg-white branch alongside the stripped standard Bacardi formula. | The egg-white lift is the main distinction and should not be flattened into a generic pink rum sour. | — | — |
| 5495 | 2069 | For a party of 8 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 44 | 1917 The Ideal Bartender by Tom Bullock.md | ["Pour the ingredients into a punch bowl and stir well.", "Ladle into a punch glass and serve."] | — | Ice water | — | — | — | — | This matters because Bullock preserves a practical club-scale fish-house style punch rather than only giant ceremonial bowls. | The bowl-and-ladle service is central even at this smaller scale. | — | — |
| 5496 | 2070 | Country Club Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 44 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice and stir well with the still ingredients.", "Strain into a tall, thin glass, fill with imported ginger ale, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves an early gin-and-ginger-ale highball branch under an already recognizable later name. | The imported ginger ale finish is the core of the drink's identity here. | — | — |
| 8516 | 2070 | — | 0 | The Artistry of Mixing Drinks | Frank Meier | 1936 | 72 | The Artistry of Mixing Drinks by Frank Meier (1936).md | ["Build over ice in a tumbler, fill with ginger beer, add lemon, and serve."] | Lemon slice | Ice | — | — | — | — | — | — | — | — |
| 5497 | 2071 | Bullock 1917 | 0 | The Ideal Bartender | Tom Bullock | 1917 | 48 | 1917 The Ideal Bartender by Tom Bullock.md | ["Fill the glass with lump ice.", "Shake well, strain into a stem glass, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock preserves another very compact fruit-brandy-and-citrus branch that later histories often ignore. | Its small size and simple two-part structure are exactly what make it historically interesting. | — | — |
| 5501 | 2072 | Country Club Style | 0 | The Ideal Bartender | Tom Bullock | 1917 | 53 | 1917 The Ideal Bartender by Tom Bullock.md | ["Use a large mixing glass filled with lump ice.", "Shake well, strain into a cocktail glass, and serve."] | — | Lump ice | — | — | — | — | This matters because Bullock gives us an early clean checkpoint for the now-canonical Stinger line. | The simplicity is the point; preserving the exact two-part structure matters here. | — | — |
| 5936 | 2072 | Harry of Ciro's 1923 | 0 | Harry of Ciro's ABC of Mixing Cocktails | Harry of Ciro's | 1923 | 79 | 1923 Harry of Ciro's ABC of mixing cocktails (second impression).md | ["Shake well and strain into cocktail glass."] | — | — | — | — | — | — | This matters because it captures the fully stabilized Stinger formula in a 1923 London hotel-bar source. | — | — | — |
| 6597 | 2072 | Barflies 1927 | 0 | Barflies and Cocktails | Harry McElhone and Wynn | 1927 | 76 | 1927 Barflies and Cocktails.md | ["Mix and serve in a cocktail glass."] | — | — | — | — | — | — | This matters because it preserves a compact late after-dinner branch that becomes highly durable later on. | — | — | — |
| 6875 | 2072 | — | 0 | Cheerio! A Book of Punches and Cocktails | Charles | 1928 | 14 | 1928 Cheerio a book of Punches and Cocktails by Charles.md | ["Add the brandy and white creme de menthe to ice.", "Shake well and serve in a cocktail glass."] | — | Ice | — | — | — | — | — | — | — | — |
| 7704 | 2072 | — | 0 | Cocktails Bar La Florida | Constante Ribalaigua Vert | 1934 | 173 | Cocktails Bar La Florida by Constante Ribalaigua Vert (1934).md | ["Shake well and strain."] | — | Cracked ice | — | — | — | — | — | — | — | — |
| 8096 | 2072 | — | 0 | The Old Waldorf-Astoria Bar Book | Albert Stevens Crockett | 1935 | 121 | 1935 Old Waldorf-Astoria Bar Book.md | ["Shake, frappé, and serve in a cocktail glass."] | — | — | — | — | — | — | — | — | — | — |
| 8382 | 2072 | — | 0 | The Artistry of Mixing Drinks | Frank Meier | 1936 | 40 | The Artistry of Mixing Drinks by Frank Meier (1936).md | ["Shake well and serve."] | — | — | — | — | — | — | — | — | — | — |
| 9119 | 2072 | — | 0 | Café Royal Cocktail Book | W. J. Tarling | 1937 | 200 | Café Royal Cocktail Book by William J Tarling (1937).md | ["Shake."] | — | — | — | — | — | — | — | — | — | — |
| 5508 | 2073 | 1918 Home Brewed, How to Mix Drinks opening section | 0 | Home Brewed Wines and Beers and Bartenders' Guide | Johnson Smith & Company | 1918 | — | 1918 Home Brewed Wines and Beers and Bartender's Guide.md | ["Shake until the outside of the shaker is covered with ice and strain into a large champagne glass."] | — | Finely shaved ice | — | — | — | — | — | — | — | — |
| 5560 | 2074 | — | 0 | Julian's Recipes | Julian Anderson | 1919 | 5 | 1919 Julian's Recipes by Julian Anderson.md | ["Shake the gin, Curacao, and cream together.", "Strain into a cocktail glass and serve."] | — | — | — | — | — | — | — | — | — | — |
| 5562 | 2075 | — | 0 | Julian's Recipes | Julian Anderson | 1919 | 6 | 1919 Julian's Recipes by Julian Anderson.md | ["Layer the maraschino, red Curacao, and brandy carefully in a small straight brandy glass.", "Serve after coffee."] | — | — | — | — | — | — | — | — | — | — |