Recipe variants
recipe_variants · showing 2951–3000 of 16953
| id | recipe_id | variant_label | is_recommended_spec | source_book | source_author | source_year | source_page | source_pdf_filename | method | garnish | ice | tasting_nose | tasting_palate | tasting_finish | tasting_summary | historical_notes | technique_notes | personal_notes | variant_commentary |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 4353 | 549 | Manhattan | 0 | The Buffet Blue Book | John H. Considine | 1912 | 45 | 1912 The Buffet Blue Book bu John H Considine.md | ["Layer the curacoa, green chartreuse, maraschino, and brandy in a pousse cafe glass.", "Do not allow the colors to mix, and serve."] | — | None | — | — | — | — | — | Layering is central to the identity. | — | — |
| 4615 | 549 | — | 0 | Bartenders' Guide: How to Mix Drinks | Wehman Bros. | 1912 | 44 | 1912 Wehman Bros.md | ["Layer the ingredients carefully so each remains separate and distinct, filling the sherry wine glass."] | — | — | — | — | — | — | — | — | — | — |
| 4848 | 549 | French | 0 | Bartenders' Manual | Bartenders Association of America | 1913 | 38 | 1913 Bartenders' Manual (Bartenders Association of America).md | ["Layer each ingredient separately in a sherry glass and serve without mixing."] | — | — | — | — | — | — | — | — | — | — |
| 5296 | 549 | Cocktail-Ology, miscellaneous drinks section | 0 | Cocktail-Ology | Count Benvenito Martini | 1916 | — | 1916 Cocktail-Ology by Count Benvenito Martini.md | ["Keep all ingredients separate and float in a thin liqueur glass."] | — | None | — | — | — | — | — | — | — | — |
| 5571 | 549 | — | 0 | Julian's Recipes | Julian Anderson | 1919 | 8 | 1919 Julian's Recipes by Julian Anderson.md | ["Layer the ingredients carefully in order in a sherry wine glass.", "Keep the portions perfectly separated and serve."] | — | — | — | — | — | — | — | — | — | — |
| 5678 | 549 | Down the Hatch 1920 | 0 | Down the Hatch | "Paul" | 1920 | 22 | 1920 Down the Hatch.md | ["Use a spoon and pour the cordials from the bottles over the spoon so their specific gravity causes them to take their places.", "Let them drop as little as possible, one at a time, to show the colors of the rainbow."] | — | — | — | — | — | — | This matters because it preserves an explicitly pedagogical late pousse-cafe ritual rather than just a short recipe name. | The gravity-layering instruction is the real heart of the entry. | — | — |
| 5907 | 549 | No. 1 | 0 | Harry of Ciro's ABC of Mixing Cocktails | Harry of Ciro's | 1923 | 70 | 1923 Harry of Ciro's ABC of mixing cocktails (second impression).md | ["Layer the ingredients carefully in a pousse cafe glass in the stated order."] | — | — | — | — | — | — | This matters because it preserves a fully ritualized layered after-dinner service in the 1923 London field. | Weight order and careful non-mixing are the essential technical point. | — | — |
| 5908 | 549 | No. 2 | 0 | Harry of Ciro's ABC of Mixing Cocktails | Harry of Ciro's | 1923 | 70 | 1923 Harry of Ciro's ABC of mixing cocktails (second impression).md | ["Layer the ingredients carefully in a pousse cafe glass in the stated order."] | — | — | — | — | — | — | This matters because it preserves a second weight-based pousse-cafe branch in the same late London source. | The source explicitly stresses avoiding the layers running together. | — | — |
| 6281 | 549 | No. 1 | 0 | L'Art du Shaker | Dominique Migliorero | 1925 | 51 | 1925 L'Art du Shaker by Dominique Migliorero.md | ["Layer carefully in the glass and serve without mixing."] | — | — | — | — | — | — | — | — | — | — |
| 6282 | 549 | No. 2 | 0 | L'Art du Shaker | Dominique Migliorero | 1925 | 52 | 1925 L'Art du Shaker by Dominique Migliorero.md | ["Layer carefully so the colors remain distinct and serve without mixing."] | — | — | — | — | — | — | — | — | — | — |
| 6550 | 549 | No. 1 | 0 | Barflies and Cocktails | Harry McElhone and Wynn | 1927 | 64 | 1927 Barflies and Cocktails.md | ["Layer the heaviest liqueurs first in rotation in a pousse-cafe glass, taking care that they do not run together."] | — | — | — | — | — | — | This matters because it preserves a full interwar pousse-cafe ritual rather than only a simplified after-dinner relic. | The source explicitly stresses density order and avoiding the layers running together. | — | — |
| 6551 | 549 | No. 2 | 0 | Barflies and Cocktails | Harry McElhone and Wynn | 1927 | 64 | 1927 Barflies and Cocktails.md | ["Layer carefully in a pousse-cafe glass, taking great care to avoid the liqueurs running together."] | — | — | — | — | — | — | This matters because it shows the pousse-cafe ritual still thriving in a highly codified six-layer form in 1927. | The source makes the layering discipline itself part of the recipe identity. | — | — |
| 6930 | 549 | Cheerio 1928 | 0 | Cheerio! A Book of Punches and Cocktails | Charles | 1928 | 27 | 1928 Cheerio a book of Punches and Cocktails by Charles.md | ["Pour the raspberry syrup, orange Curacoa, green creme de menthe, and brandy carefully in rotation into a long thin cordial glass.", "Keep the heaviest ingredient first and finish with brandy."] | — | None | — | — | — | — | — | Layering is central to the identity. | — | — |
| 7443 | 549 | Chicote | 0 | Cocktails | Pedro Chicote | 1928 | 317 | 1928 Cocktails by Pedro Chicote.md | ["Layer the ingredients very gently in the stated order in a tall narrow glass.", "Serve with straws."] | — | — | — | — | — | — | This matters because Chicote gives his own house pousse-cafe pattern rather than only reprinting inherited classics. | The service depends entirely on preserving the gravity-separated layers. | — | — |
| 7691 | 549 | — | 0 | Cocktails Bar La Florida | Constante Ribalaigua Vert | 1934 | 160 | Cocktails Bar La Florida by Constante Ribalaigua Vert (1934).md | ["Layer carefully and serve cold without ice."] | — | — | — | — | — | — | — | — | — | — |
| 845 | 550 | Bar Keepers' Handbook 1884 | 0 | How to Mix Drinks: Bar Keepers' Handbook | Winter | 1884 | 30 | 1884 How to mix drinks.md | ["Fill the glass with fine shaved ice, shake well, strain into a fizz glass, fill with seltzer, and serve."] | — | Fine shaved ice | — | — | — | — | — | — | — | — |
| 1193 | 550 | — | 0 | Cocktail Boothby's American Bar-Tender | Wm. T. Boothby | 1891 | 23 | 1891 Cocktail Botthby's American Bar-Tender.md | ["Shake the ingredients well with ice.", "Strain into a thin glass and fill with syphon seltzer."] | — | — | — | — | — | — | The silver fizz is important because it keeps the egg-white textural branch distinct from both the plain and yolk-based forms. | The egg white alters texture while preserving the standard fizz service pattern. | — | — |
| 1302 | 550 | Drinks a La Mode 1891, another way | 0 | Drinks a La Mode | Mrs de Salis | 1891 | 9 | 1891 Drinks a La Mode by Mrs de Salis.md | ["Mix gin, sugar, egg white, and chipped ice in a soda water glass, then add soda water, stir, and drink while frothing."] | — | Chipped ice | — | — | — | — | — | — | — | — |
| 1462 | 550 | — | 0 | Mixed Drinks | Herbert W. Green | 1895 | 55 | 1895 Mixed Drinks by Herbert W Green.md | ["Fill a mixing glass two-thirds full of shaved ice and add the ingredients.", "Shake well, strain into a thin lemonade glass, fill with syphon seltzer, and serve."] | — | Shaved ice | — | — | — | — | This is a clean late-century checkpoint for the egg-white fizz branch before later standardization. | The identity lies in the cold egg-white shake and the final charged-water lengthening. | — | — |
| 1844 | 550 | C. F. Lawlor 1895 | 0 | The Mixicologist | C. F. Lawlor | 1895 | 36 | 1895 The Mixicologist by C F Lawlor.md | ["Take the sugar, lemon or lime juice, egg white, and Old Tom gin with small lumps of ice.", "Shake up thoroughly.", "Strain into a medium bar glass.", "Fill it up with Seltzer water."] | — | — | Gin, citrus, and airy egg froth rise together. | It is softer and more textural than Gin Fizz, with the egg white giving the drink a silky lift rather than weight. | The finish is creamy, bright, and sparkling. | A pivotal fizz showing texture as a major branch point in the late sour family. | Silver Fizz is historically important because it formalises the egg-white branch of the fizz family. By this point, the sour/fizz line is clearly proliferating through texture variants, not just spirit changes. | A full shake is essential for the egg white. Service speed matters because fizz character fades quickly. | — | Compared with Gin Fizz, Silver Fizz is less austere and more textural. Compared with Golden Fizz, it is lighter and more foamy. |
| 2216 | 550 | Harry Johnson 1900 | 0 | New and Improved Bartenders' Manual | Harry Johnson | 1900 | 167 | 1900 Harry Johnson's New and Improved Bartenders' Manual.md | ["Add the sugar, lemon juice, Old Tom gin, egg white, and shaved ice to a large bar glass or shaker, with a squirt of vichy to dissolve the mixture well.", "Shake up well with a shaker.", "Strain into a good-sized fizz glass.", "Fill up the glass with syphon, vichy, or selters, mix well, and serve."] | — | — | Cold gin and citrus rise through a lighter froth than the golden or richer egg drinks nearby. | The egg white gives the fizz a smoother texture without the extra richness of yolk-bearing drinks, keeping it bright, elegant, and highly drinkable in warm weather. | The finish is crisp, airy, and citrus-led. | A refined frothy gin fizz showing the sour family becoming texturally specialised. | Fizzes are historically important because they show the sour family splitting into more distinct textural and service branches. Johnson's Silver Fizz is a clear checkpoint in that development. | Johnson explicitly warns that this style must be drunk quickly or it loses strength and flavour. Freshness and immediate service are part of the drink's logic. | — | — |
| 2414 | 550 | — | 0 | The Cocktail Book a Sideboard Manual for Gentlemen | — | 1901 | 62 | 1901 The Cocktail Book a Sideboard Manual for Gentlemen.md | ["Fill a mixing glass with ice and add the sugar, lemon juice, Tom gin, and egg white.", "Shake well, strain into a fizz glass, and fill with siphon."] | — | Ice | — | — | — | — | This keeps the egg-white branch of the fizz family clearly separated from the yolk-based Golden Fizz. | The source treats the white as the defining structural change within the otherwise standard fizz pattern. | — | — |
| 2476 | 550 | — | 0 | The Complete Buffet Manual or How to Mix Fancy Drinks | J. E. Sheridan | 1901 | 39 | 1901 The Complete Buffet Manual or How to Mix Fancy Drinks by J E Sheridan.md | ["Fill with shaved ice, shake up well, and strain into a fizz glass.", "Fill the glass with Seltzer from a syphon and drink immediately."] | — | Shaved ice | — | — | — | — | This keeps the white-egg branch of the fizz family explicitly visible in the same source as the yolk-based Golden Fizz. | The egg-white texture and final syphon fill are the defining service details. | — | — |
| 2719 | 550 | — | 0 | Daly's Bartenders' Encyclopedia | Tim Daly | 1903 | 92 | 1903 Daly's Bartenders' Encyclopedia.md | ["Shake the sugar dissolved in a squirt of seltzer, lemon juice, Tom gin, egg white, and shaved ice well.", "Strain into a fizz glass, fill up with seltzer, spoon well, and serve."] | — | Shaved ice | — | — | — | — | This is a useful Silver Fizz checkpoint from the same source that preserves Royal and Cream variants distinctly. | The final spooning after the seltzer top is part of the intended service. | — | — |
| 2818 | 550 | V. B. Lewis 1903 | 0 | The Complete Buffet Guide | V. B. Lewis | 1903 | 39 | 1903 The Complete Buffet Guide or How to Mix All Kinds of Drinks by V.B. Lewis.md | ["Shake the sugar, citrus, gin, egg white, and shaved ice well.", "Strain into a fizz glass, fill with Seltzer from a syphon, and drink immediately."] | — | — | The egg white gives a softer aromatic surface to the gin and citrus. | This confirms the silver/golden fizz distinction as a meaningful textural fork inside the family rather than a mere naming flourish. | The finish is bright, foamy, and short. | An egg-white fizz from the texture-split branch of the family. | — | — | — | — |
| 3076 | 550 | Lowe 1904 | 0 | Drinks as They Are Mixed | Paul E. Lowe | 1904 | 38 | 1904 Drinks as they are Mixed by Paul E Lowe.md | ["Shake the fine ice, sugar, lemon juice, Old Tom gin, and egg white.", "Strain into a fizz glass, fill with seltzer, and serve to be drunk while effervescing."] | — | Fine ice | Citrus and gin botanicals rise through a soft egg-white foam. | The Silver Fizz entry is useful because it shows the egg-white fizz already fully canonical and clearly distinguished from yolk-based and whole-egg alternatives. | The finish is brisk, foamy, and refreshing. | A canonical egg-white fizz from the mature gin branch. | — | — | — | — |
| 3254 | 550 | — | 0 | The Hoffman House Bartender's Guide | Charles S. Mahoney | 1905 | 173 | 1905 The Hoffman House Bartender's Guide by Charles S. Mahoney.md | ["Shake the sugar, lemon juice, Old Tom gin, whiskey squirt, egg white, and shaved ice.", "Strain into a fizz glass, fill from the syphon, mix with a spoon, and serve quickly."] | — | Shaved ice | — | — | — | — | — | — | — | — |
| 3429 | 550 | — | 0 | Louis' Mixed Drinks with Hints for the Care & Serving of Wines | Louis Muckensturm | 1906 | 57 | Louis' Mixed Drinks by Muckensturm (1906).md | ["Fill the mixing glass with ice, shake well, strain into a high-ball glass, top with soda, and serve."] | — | Ice | — | — | — | — | — | — | — | — |
| 3632 | 550 | Boothby 1908 | 0 | The World's Drinks and How to Mix Them | Hon. Wm Boothby | 1908 | 38 | 1908 The World's Drinks and How to Mix Them by Hon Wm Boothby.md | ["Make the drink as a Plain Gin Fizz.", "Add the white of an egg before shaking.", "Serve charged and cold."] | Twist of lemon peel | Three or four lumps | Lemon foam and gin rise together. | The egg white lightens and lifts the texture without adding the yolk's extra richness. | The finish is airy, bright, and refreshing. | The egg-white branch of the mature gin fizz family. | — | — | — | — |
| 4121 | 550 | — | 0 | Jack's Manual | J. A. Grohusko | 1910 | 80 | 1910 Jack's Manual by J A Grohusko.md | ["Shake the lemon juice, sugar, egg white, dry gin, and cracked ice, then strain.", "Top off with fizz water and serve."] | — | Cracked ice | — | — | — | — | — | — | — | — |
| 4548 | 550 | — | 0 | Bartenders' Guide: How to Mix Drinks | Wehman Bros. | 1912 | 32 | 1912 Wehman Bros.md | ["Shake the sugar, lemon juice, Old Tom gin, egg white, and shaved ice well, strain into a fizz glass, fill with syphon Selters or Vichy water, mix, and serve."] | — | Ice | — | — | — | — | — | — | — | — |
| 4888 | 550 | — | 0 | Bartenders' Manual | Bartenders Association of America | 1913 | 42 | 1913 Bartenders' Manual (Bartenders Association of America).md | ["Shake up well, strain into a fizz glass, fill with seltzer, and drink immediately."] | — | Ice | — | — | — | — | — | — | — | — |
| 5534 | 550 | 1918 Home Brewed, How to Mix Drinks opening section | 0 | Home Brewed Wines and Beers and Bartenders' Guide | Johnson Smith & Company | 1918 | — | 1918 Home Brewed Wines and Beers and Bartender's Guide.md | ["Shake well with shaved ice, strain into a fizz glass, fill with seltzer from a siphon, and drink immediately."] | — | Shaved ice | — | — | — | — | — | — | — | — |
| 6320 | 550 | — | 0 | L'Art du Shaker | Dominique Migliorero | 1925 | 62 | 1925 L'Art du Shaker by Dominique Migliorero.md | ["Shake hard, strain into a tumbler, fill with iced seltzer, and serve."] | — | — | — | — | — | — | — | — | — | — |
| 6762 | 550 | — | 0 | El Bar Americano en España | Pedro Chicote | 1927 | 105 | 1927 El Bar Americano en Espana by Pedro Chicote.md | ["Shake very well, strain into a large glass, and finish with seltzer."] | — | Ice | — | — | — | — | — | — | — | — |
| 6954 | 550 | Cheerio 1928 | 0 | Cheerio! A Book of Punches and Cocktails | Charles | 1928 | 32 | 1928 Cheerio a book of Punches and Cocktails by Charles.md | ["Place the dry gin, egg white, powdered sugar, lemon juice, and ice in a container.", "Shake thoroughly to combine the ingredients and serve in a tumbler with seltzer water."] | — | Ice | — | — | — | — | — | — | — | — |
| 7358 | 550 | Egg-white version | 0 | Cocktails | Pedro Chicote | 1928 | 270 | 1928 Cocktails by Pedro Chicote.md | ["Shake very well and top with seltzer in a large glass."] | — | 2 or 3 pieces ice | — | — | — | — | This matters because it confirms the egg-white silver branch in Chicote's Madrid fizz chapter. | — | — | — |
| 7727 | 550 | — | 0 | Cocktails Bar La Florida | Constante Ribalaigua Vert | 1934 | 192 | Cocktails Bar La Florida by Constante Ribalaigua Vert (1934).md | ["Shake well and strain into the glass."] | — | Cracked ice | — | — | — | — | — | — | — | — |
| 8206 | 550 | — | 0 | Peychaud's New Orleans Cocktails | John Held Jr. | 1935 | 25 | 1935 Peychaud's New Orleans Cocktails.md | ["Shake well in ice, strain into a fizz glass, add charged water to fill, and serve."] | — | Ice | — | — | — | — | — | — | — | — |
| 8471 | 550 | — | 0 | The Artistry of Mixing Drinks | Frank Meier | 1936 | 61 | The Artistry of Mixing Drinks by Frank Meier (1936).md | ["Shake with ice, strain into a tumbler, add soda water, and serve."] | — | Ice | — | — | — | — | — | — | — | — |
| 9224 | 550 | — | 0 | Café Royal Cocktail Book | W. J. Tarling | 1937 | 226 | Café Royal Cocktail Book by William J Tarling (1937).md | ["Shake, strain into a medium size glass, and fill with syphon soda water."] | — | — | — | — | — | — | — | — | — | — |
| 9315 | 550 | — | 0 | Famous New Orleans Drinks and How to Mix 'Em | Stanley Clisby Arthur | 1938 | 48 | Famous Orleans Drinks and How to Mix ‘Em by Stanley Clisby Arthur (1938).md | ["Make exactly as for the gin fizz, adding the white of an egg and remembering to shake with largish pieces of ice.", "Strain into a tall glass, top with seltzer, and serve."] | — | — | — | — | — | — | — | — | — | — |
| 847 | 551 | Bar Keepers' Handbook 1884 | 0 | How to Mix Drinks: Bar Keepers' Handbook | Winter | 1884 | 31 | 1884 How to mix drinks.md | ["Add lemon juice, sugar, Holland gin, and one-third glass of fine ice, fill with plain soda while stirring, remove the ice, and serve."] | — | Fine ice | — | — | — | — | — | — | — | — |
| 879 | 551 | — | 0 | Scientific Bar-Keeping | E. N. Cook & Co. | 1884 | 13 | 1884 Scientific bar-keeping.md | ["Put the sugar, lemon juice, Holland gin, and small lumps of ice into a glass.", "Open a bottle of plain soda and pour it into the ingredients.", "Mix up well, remove the ice, and serve."] | — | Small lumps of ice | — | — | — | — | — | — | — | — |
| 989 | 551 | 1888 Gin | 0 | The Police Gazette Bartenders Guide | Richard K. Fox | 1888 | 29 | 1888 The Police Gazette Bartenders Guide by Richard K Fox.md | ["Mix the sugar, lemon juice, gin, ice, and plain soda well in an extra large bar glass.", "Remove the ice and serve."] | — | 5 or 6 small bits | — | — | — | A clear gin Collins checkpoint that keeps the remove-the-ice service detail explicit. | This is useful because it gives another late-century control point for Collins before later standardization narrows the family story. | Removing the ice before service is a meaningful period detail worth preserving. | — | Compared with Tom Collins (Brandy), this is the leaner gin branch with no cordial accent. |
| 1063 | 551 | Theodore Proulx 1888 | 0 | Bartender's Manual | Theodore Proulx | 1888 | 27 | 1888 Bartender's Manual by Theodore Proulx (Revised Edition).md | ["Cool a thin glass.", "Squeeze half a fresh lemon with two-thirds tablespoon of sugar in a mixing glass, keeping the peel on the lemon, then add ice and Tom gin.", "Stir very well, strain into the cooled glass, and add half a bottle of Delatour soda."] | — | A few lumps | — | — | — | A Collins service that still sits close to punch and cobbler handling rather than later standardized tall-drink practice. | This is a very valuable Collins checkpoint because Proulx is unusually emphatic about method, peel handling, and correctness. It shows the drink as a defined professional standard by 1888. | Keeping the peel on the squeezed lemon is part of the intended flavor extraction, not a throwaway detail. | — | Compared with Gin Fizz, this is longer, peelier, and more obviously a lengthened-service drink than a sparkling sour. |
| 1251 | 551 | — | 0 | Cocktail Boothby's American Bar-Tender | Wm. T. Boothby | 1891 | 42 | 1891 Cocktail Botthby's American Bar-Tender.md | ["Set a very large glass with a large piece of ice in front of the customer and let him serve himself to the gin.", "Dissolve the lemon juice and sugar in part of a bottle of plain soda, pour into the prepared glass, fill with the balance of the soda, stir, and serve."] | — | Large ice piece | — | — | — | — | This is a particularly useful Collins checkpoint because Boothby insists it is a distinct very long drink rather than just a disguised fizz. | The service logic depends on the very large glass, customer-poured gin, and unusually long soda build. | — | Boothby's warning against serving a regular gin fizz as John Collins is historically important and preserved here. |
| 1308 | 551 | Drinks a La Mode 1891 | 0 | Drinks a La Mode | Mrs de Salis | 1891 | 14 | 1891 Drinks a La Mode by Mrs de Salis.md | ["Build over ice in a large tumbler with lemon, pineapple, sugar, and Holland gin, then add soda water, stir, and drink while effervescing."] | Pineapple slice | Ice | — | — | — | — | — | — | — | — |
| 1468 | 551 | — | 0 | Mixed Drinks | Herbert W. Green | 1895 | 58 | 1895 Mixed Drinks by Herbert W Green.md | ["Muddle the half lemon and sugar in a mixing glass, then add shaved ice and Old Tom gin.", "Shake well, strain into a thin lemonade glass, fill with Club soda, stir, and serve."] | — | Shaved ice | — | — | — | — | This is a useful Collins checkpoint because Green preserves a distinctly muddled and shaken lemon build before the final soda lengthening. | The service sits between sour and highball logic; the final identity comes from the soda finish in the serving glass. | — | — |
| 1556 | 551 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 46 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare the drink the same as Brandy Collins, substituting Holland gin for brandy."] | — | One piece | Lemon oil and the malty-herbal depth of Holland gin define the aroma. | The Holland-gin base makes this version feel weightier and more old-world than later Tom Collins forms, while still clearly inhabiting the Collins template. | The finish is citrusy, sparkling, and gently grainy. | A genever-rooted Collins variant preserving older gin character inside a modern long-drink form. | This version is historically useful because it keeps the Collins family tied to older Holland-gin practice instead of letting the line appear to spring fully formed from later Tom-gin or London-gin service. | The drink inherits the muddled lemon-and-sugar technique from Brandy Collins, which keeps it structurally close to sour logic despite the longer serve. | — | Compared with many later John Collins templates, Kappeler's version still feels tethered to older gin traditions through its Holland-gin base. |