Recipe variants
recipe_variants · showing 4351–4400 of 16953
| id | recipe_id | variant_label | is_recommended_spec | source_book | source_author | source_year | source_page | source_pdf_filename | method | garnish | ice | tasting_nose | tasting_palate | tasting_finish | tasting_summary | historical_notes | technique_notes | personal_notes | variant_commentary |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2853 | 878 | V. B. Lewis 1903 | 0 | The Complete Buffet Guide | V. B. Lewis | 1903 | 63 | 1903 The Complete Buffet Guide or How to Mix All Kinds of Drinks by V.B. Lewis.md | ["Add the gum syrup, shaved ice, and Jamaica rum to the glass and stir well.", "Alternatively, prepare the glass with syrup and ice and set the bottle before the customer, allowing him to help himself."] | — | Shaved ice | The rum's funk sits directly above the sweetened base. | Lewis makes the plain-service logic explicit again: even a tiny sweetened rum drink could remain partly bartender-built and partly customer-finished. | The finish is sweet, rum-led, and direct. | A sweetened rum plain-service drink from the customer-finished branch of bar practice. | — | — | — | — |
| 4866 | 878 | — | 0 | Bartenders' Manual | Bartenders Association of America | 1913 | 39 | 1913 Bartenders' Manual (Bartenders Association of America).md | ["Stir well and serve, or leave the bottle with the customer to help himself."] | — | Ice | — | — | — | — | — | — | — | — |
| 1659 | 879 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 100 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare in the same manner as Brandy Rickey, substituting Scotch whisky for brandy."] | — | Lump ice | Scotch grain and lime give a drier, sharper aroma than the brandy or Canadian variants. | This shows the Rickey template becoming a general long-drink grammar rather than remaining tied to one house spirit. | The finish is dry, brisk, and citric. | A Scotch variant from the Rickey family's period of rapid branching. | — | — | — | — |
| 4140 | 879 | — | 0 | Jack's Manual | J. A. Grohusko | 1910 | 83 | 1910 Jack's Manual by J A Grohusko.md | ["Put the ice, lime juice, squeezed lime, and Scotch whisky in the glass.", "Fill with fizz water, stir, and serve."] | Spent lime shell | 1 piece ice | — | — | — | — | — | — | — | — |
| 1660 | 880 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 100 | 1900 Modern American Drinks by J Kappeler.md | ["Place one lump of ice in a medium-sized bar glass.", "Add the juice of half a lime and one jigger of vermouth.", "Stir with a spoon, fill up with carbonic water, and drink during effervescence."] | — | Lump ice | Lime and vermouth herbs rise together in a notably aperitif-like profile. | This is a revealing bridge drink, showing the Rickey formula applied not just to base spirits but to aperitif wine as well. | The finish is herbal, dry, and sparkling. | A vermouth-led Rickey that links aperitif logic to the broader lime-and-soda family. | — | — | — | — |
| 1661 | 881 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 102 | 1900 Modern American Drinks by J Kappeler.md | ["Place a lump of ice in a long thin glass.", "Add one jigger of Scotch whisky and a bottle of cold plain soda."] | — | Lump ice | Scotch leads with very little interference beyond chill and dilution. | This is plain highball logic in one of its clearest forms, preserving spirit character while making it longer, cooler, and easier to drink. | The finish is dry, fizzy, and whisky-led. | A bare-bones Scotch highball from the practical service core of the family. | — | — | — | — |
| 1663 | 882 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 103 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare the drink in the same manner as Columbia Skin."] | Twisted lemon peel | — | Warm whiskey and lemon peel define the aroma at once. | This entry matters because it explicitly records naming duplication inside the hot-service family rather than pretending every name marks a different drink. | The finish is warm, direct, and lightly citric. | A duplicate-named skin entry that helps document how the hot-service family was actually called for. | — | — | — | — |
| 5061 | 882 | Scotch | 0 | The Up-to-Date Bartender's Guide | Harry Montague | 1913 | 40 | 1913 The Up to Date Bartender's Guide by Harry Montague.md | ["Substitute Scotch whiskey for brandy and proceed as for Brandy Skin.", "Serve hot with twisted lemon peel."] | Lemon peel | — | — | — | — | — | — | Source is explicitly substitution-based. | — | — |
| 1664 | 883 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 105 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare and serve in the same manner as Brandy Smash No. 1, substituting Medford rum for brandy."] | Mint and seasonal fruit | — | Mint and rum rise with a darker, slightly more molasses-like profile than the brandy version. | This keeps the fully dressed nineteenth-century smash presentation while showing the form's portability across American regional spirits. | The finish is cool, minty, and rum-led. | A regional-rum smash from the decorative mint-service branch. | — | — | — | — |
| 2872 | 883 | V. B. Lewis 1903 | 0 | The Complete Buffet Guide | V. B. Lewis | 1903 | 69 | 1903 The Complete Buffet Guide or How to Mix All Kinds of Drinks by V.B. Lewis.md | ["Dissolve the sugar in a little water and press the mint to extract the essence.", "Add the shaved ice and Medford rum and stir well.", "Strain, dress with fruit, replace the mint leaves upward, and serve."] | Fruit and mint | Shaved ice | Mint lifts the dry old-style New England rum. | This is another helpful reminder that the smash family did not belong to whiskey alone; regional rums could inhabit it comfortably in professional practice. | The finish is cool, minty, and rum-led. | A regional-rum smash preserving the family's flexibility across base spirits. | — | — | — | — |
| 4039 | 883 | — | 0 | Jack's Manual | J. A. Grohusko | 1910 | 65 | 1910 Jack's Manual by J A Grohusko.md | ["Press the mint in the sugar to extract the essence, then build with the Medford rum and cracked ice.", "Stir with a spoon, dress with fruits in season, and serve with straws."] | Seasonal fruit | Cracked ice | — | — | — | — | — | — | — | — |
| 1665 | 884 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 105 | 1900 Modern American Drinks by J Kappeler.md | ["Put the spirit, sugar, and fresh egg into a large mixing glass half-full of fine ice.", "Shake well, strain into a long thin punch glass, fill up with cold imported ginger ale, stir, and serve."] | — | — | Ginger rises above a softly creamy spirit-and-egg base. | This is an interesting bridge between nogg, fizz, and highball logic, using egg texture but finishing as a ginger-ale long drink. | The finish is lively, softly creamy, and spicy. | An egg-and-ginger-ale hybrid that sits on the border between restorative and sparkling long drink. | — | — | — | — |
| 1666 | 885 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 106 | 1900 Modern American Drinks by J Kappeler.md | ["Mix in the same manner as Apple Brandy Sour, using half a tablespoonful of fine sugar in place of gum syrup."] | Seasonal fruit | — | Apple brandy and lemon still lead, but the sugar gives a slightly less polished aromatic impression than gum syrup. | The drink is structurally very close to Apple Brandy Sour, but Kappeler preserves the sweetener distinction, which matters for historical service texture. | The finish is bright, orchard-fruited, and lightly sweet. | A sugar-based apple-brandy sour preserving a small but real service distinction. | — | — | — | — |
| 4022 | 885 | — | 0 | Jack's Manual | J. A. Grohusko | 1910 | 61 | 1910 Jack's Manual by J A Grohusko.md | ["Shake the sugar, applejack, lemon juice, and cracked ice well.", "Strain, top with a little fizz water, garnish with a slice of lemon, and serve."] | Lemon slice | Cracked ice | — | — | — | — | — | — | — | — |
| 4719 | 885 | — | 0 | Bartenders' Guide: How to Mix Drinks | Wehman Bros. | 1912 | 66 | 1912 Wehman Bros.md | ["Dissolve the sugar in a little water, add the lemon juice, applejack, and shaved ice, shake, strain into a claret glass, ornament with berries, and serve."] | — | Ice | — | — | — | — | — | — | — | — |
| 1668 | 886 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 107 | 1900 Modern American Drinks by J Kappeler.md | ["Heat half a pint of ale to the boiling point and pour into a mug.", "Add the sugar and brandy, mix, grate nutmeg on top, and serve."] | Grated nutmeg | — | Hot ale, brandy, and nutmeg create a dark, comforting aroma. | This keeps alive the overlap between hot beer service and the hot spirit family, showing how porous those categories remained. | The finish is warm, malty, and spiced. | A hot ale-and-brandy mug drink from the overlap between beer and warm-service traditions. | — | — | — | — |
| 1669 | 887 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 109 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare the drink in the same way as Kentucky Toddy."] | Twisted lemon peel and grated nutmeg | Large lump ice | Bourbon, lemon peel, and nutmeg are carried by a cool, simple structure. | This entry is valuable because it records naming equivalence rather than formula difference, which is exactly the sort of ontology truth we want to preserve. | The finish is cool, sweetened, and faintly spiced. | A duplicate-named Bourbon toddy showing how regional naming sat inside the family tree. | — | — | — | — |
| 1750 | 887 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 111 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare this the same as Kentucky Toddy."] | — | — | Anise, wormwood, and lemon oil lead immediately, with the bitters adding a subtle spiced edge. | The added water opens the absinthe and softens its force, making the drink read as a composed aromatic cocktail rather than a straight absinthe service. | The finish is cool, herbal, and persistent. | A fully fledged absinthe-led aromatic cocktail from a period when absinthe could still occupy the centre of the glass. | Kappeler's version matters because it treats absinthe as the base of a proper cocktail rather than merely a rinse or a dash. That places it within the broader aromatic cocktail family while preserving a distinctly absinthe-centred late nineteenth-century service style. | The water is structural here, not incidental. It stretches and opens the spirit before dilution from stirring has fully done the work. | — | Compared with smaller absinthe seasonings in Martini-era drinks, this entry preserves an older moment when absinthe itself could dominate the formula. |
| 1670 | 888 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 111 | 1900 Modern American Drinks by J Kappeler.md | ["Serve in the same manner as Sherry and Bitters, substituting vermouth for sherry."] | — | — | Herbal wine and bitters make a compact aperitif aroma. | This is a tiny but historically important service form, sitting close to both the vermouth cocktail line and the fortified-wine seasoned-glass tradition. | The finish is bitter-herbal and dry. | A seasoned vermouth service from the miniature aperitif branch. | — | — | — | — |
| 1756 | 888 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 113 | 1900 Modern American Drinks by J Kappeler.md | ["Serve in the same manner as Sherry and Bitters, substituting vermouth for sherry."] | — | — | Anise, wormwood, and lemon oil lead immediately, with the bitters adding a subtle spiced edge. | The added water opens the absinthe and softens its force, making the drink read as a composed aromatic cocktail rather than a straight absinthe service. | The finish is cool, herbal, and persistent. | A fully fledged absinthe-led aromatic cocktail from a period when absinthe could still occupy the centre of the glass. | Kappeler's version matters because it treats absinthe as the base of a proper cocktail rather than merely a rinse or a dash. That places it within the broader aromatic cocktail family while preserving a distinctly absinthe-centred late nineteenth-century service style. | The water is structural here, not incidental. It stretches and opens the spirit before dilution from stirring has fully done the work. | — | Compared with smaller absinthe seasonings in Martini-era drinks, this entry preserves an older moment when absinthe itself could dominate the formula. |
| 1672 | 889 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 108 | 1900 Modern American Drinks by J Kappeler.md | ["Dissolve the extract of beef in water.", "Season to taste with celery bitters, pepper, and salt.", "Pour into a long thin glass, fill with fine ice, mix well until cold, and sip with straws."] | — | Fine ice | The aroma is savoury, peppery, and lightly bitter rather than sweet or fruity. | This is an important reminder that the professional bar also served restorative savoury drinks, not only sweetened cocktails and punches. | The finish is cool, saline, and lightly spicy. | A savoury restorative frappe from the practical utility-drink side of the bar. | — | — | — | — |
| 1744 | 889 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 110 | 1900 Modern American Drinks by J Kappeler.md | ["Dissolve the beef extract in water.", "Season to taste, pour into a long thin glass, and fill with fine ice."] | — | Ice | Anise, wormwood, and lemon oil lead immediately, with the bitters adding a subtle spiced edge. | The added water opens the absinthe and softens its force, making the drink read as a composed aromatic cocktail rather than a straight absinthe service. | The finish is cool, herbal, and persistent. | A fully fledged absinthe-led aromatic cocktail from a period when absinthe could still occupy the centre of the glass. | Kappeler's version matters because it treats absinthe as the base of a proper cocktail rather than merely a rinse or a dash. That places it within the broader aromatic cocktail family while preserving a distinctly absinthe-centred late nineteenth-century service style. | The water is structural here, not incidental. It stretches and opens the spirit before dilution from stirring has fully done the work. | — | Compared with smaller absinthe seasonings in Martini-era drinks, this entry preserves an older moment when absinthe itself could dominate the formula. |
| 1673 | 890 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 116 | 1900 Modern American Drinks by J Kappeler.md | ["Beat the eggs until light and creamy, add the sugar, and beat again.", "Add the rum, brandy, and cream or rich milk.", "Mix well and freeze."] | — | — | The aroma is creamy, sweet, and softly spiced by the two spirits. | This carries festive nogg logic into the frozen-drink world without abandoning the classic egg-and-cream structure. | The finish is cold, rich, and gently spirituous. | A frozen nogg showing how festive egg drinks moved into late-century frappe technique. | — | — | — | — |
| 1769 | 890 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 118 | 1900 Modern American Drinks by J Kappeler.md | ["Beat the eggs and sugar until creamy.", "Add rum, brandy, and cream or milk, mix well, and freeze."] | — | — | Anise, wormwood, and lemon oil lead immediately, with the bitters adding a subtle spiced edge. | The added water opens the absinthe and softens its force, making the drink read as a composed aromatic cocktail rather than a straight absinthe service. | The finish is cool, herbal, and persistent. | A fully fledged absinthe-led aromatic cocktail from a period when absinthe could still occupy the centre of the glass. | Kappeler's version matters because it treats absinthe as the base of a proper cocktail rather than merely a rinse or a dash. That places it within the broader aromatic cocktail family while preserving a distinctly absinthe-centred late nineteenth-century service style. | The water is structural here, not incidental. It stretches and opens the spirit before dilution from stirring has fully done the work. | — | Compared with smaller absinthe seasonings in Martini-era drinks, this entry preserves an older moment when absinthe itself could dominate the formula. |
| 1674 | 891 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 122 | 1900 Modern American Drinks by J Kappeler.md | ["Add the Cognac to the strong clear coffee and sweeten to taste.", "Put in a freezer and freeze until mushy."] | — | — | Coffee leads, with Cognac giving warmth and perfume beneath the chill. | This sits between coffee service, cordial logic, and frozen refreshment, preserving another corner of the professional bar that would disappear in a cocktail-only history. | The finish is cold, coffee-led, and gently warming. | A frozen coffee-and-Cognac service from the restorative and after-dinner fringe. | — | — | — | — |
| 1792 | 891 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 124 | 1900 Modern American Drinks by J Kappeler.md | ["Add cognac to strong coffee and sweeten to taste.", "Freeze until mushy."] | — | — | Anise, wormwood, and lemon oil lead immediately, with the bitters adding a subtle spiced edge. | The added water opens the absinthe and softens its force, making the drink read as a composed aromatic cocktail rather than a straight absinthe service. | The finish is cool, herbal, and persistent. | A fully fledged absinthe-led aromatic cocktail from a period when absinthe could still occupy the centre of the glass. | Kappeler's version matters because it treats absinthe as the base of a proper cocktail rather than merely a rinse or a dash. That places it within the broader aromatic cocktail family while preserving a distinctly absinthe-centred late nineteenth-century service style. | The water is structural here, not incidental. It stretches and opens the spirit before dilution from stirring has fully done the work. | — | Compared with smaller absinthe seasonings in Martini-era drinks, this entry preserves an older moment when absinthe itself could dominate the formula. |
| 1675 | 892 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 95 | 1900 Modern American Drinks by J Kappeler.md | ["Put the lemon juice, water, sugar, and creme d'allash into a mixing-glass half-full of fine ice.", "Shake until very cold.", "Serve in a long thin glass, ornament with fruit, and sip with straws."] | Fruit | Fine ice | — | — | — | — | — | — | — | — |
| 1679 | 893 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 95 | 1900 Modern American Drinks by J Kappeler.md | ["Make a plain whiskey punch.", "Strain into a long thin glass and fill up with cold Apollinaris water."] | — | — | — | — | — | — | — | — | — | — |
| 3096 | 893 | Lowe 1904 | 0 | Drinks as They Are Mixed | Paul E. Lowe | 1904 | 65 | 1904 Drinks as they are Mixed by Paul E Lowe.md | ["Build the shaved ice, sugar, lemon, Apollinaris, and whiskey in a mixing glass, pressing the oil from the rind.", "Stir well, strain into a punch glass containing fruit, and serve."] | Fruit | Shaved ice | Lemon oil and whiskey rise above the mineral sparkle. | This is useful because it shows an individual whiskey punch adapting to the bottled-mineral era without losing its punch identity. | The finish is bright, sparkling, and lightly whiskey-led. | An individual whiskey punch translated into the mineral-water era. | — | — | — | — |
| 1698 | 894 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 104 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare the same as Medford Rum Sour, substituting St. Croix rum.", "Strain into a sour-glass and trim with fruit."] | Fruit | Fine ice | — | — | — | — | — | — | — | — |
| 2282 | 894 | Harry Johnson 1900 | 0 | New and Improved Bartenders' Manual | Harry Johnson | 1900 | 243 | 1900 Harry Johnson's New and Improved Bartenders' Manual.md | ["Dissolve the sugar and lemon juice with a squirt of syphon selters in a large bar glass.", "Add the finely shaved ice and St. Croix rum.", "Mix well.", "Place seasonable fruit in a sour glass, strain the ingredients into it, and serve."] | Seasonal fruit | Finely shaved ice | The rum's aromatic sweetness gives the sour a softer top note than the Jamaica branch, with fruit garnish enhancing the hospitality of the serve. | This is a clean rum sour that sits closer to decorative late-century service than to later stripped daiquiri-style austerity. | The finish is cool, rum-softened, and citrus-bright. | A fruit-dressed St. Croix rum sour preserving another distinct rum branch within the acid-sugar family. | Distinguishing St. Croix from Jamaica rum matters historically because bar manuals of this period still expected drinkers and bartenders to care about regional rum identity. | As with Fancy Brandy Sour, the fruit in the receiving glass is part of the category's social presentation, not an afterthought. | — | — |
| 2708 | 894 | — | 0 | Daly's Bartenders' Encyclopedia | Tim Daly | 1903 | 88 | 1903 Daly's Bartenders' Encyclopedia.md | ["Dissolve the sugar in a little water or seltzer and add the lemon juice, St. Croix rum, and fine ice.", "Stir well with a spoon, strain into a sour glass, dress with fruit, and serve."] | Fruit. | Fine ice | — | — | — | — | This is a useful companion to Daly's Jamaica-rum sour, keeping regional rum identities distinct inside the sour family. | The spooned strain and fruit service matter as part of Daly's sour grammar. | — | — |
| 2882 | 894 | V. B. Lewis 1903 | 0 | The Complete Buffet Guide | V. B. Lewis | 1903 | 71 | 1903 The Complete Buffet Guide or How to Mix All Kinds of Drinks by V.B. Lewis.md | ["Dissolve the powdered sugar in a little Seltzer or Apollinaris water.", "Add the shaved ice, squeeze in half a lemon, and add the St. Croix rum.", "Stir well, strain into a sour glass, dress with fruit in season, and serve."] | Fruit | Shaved ice | Rum and fresh lemon define the aroma. | Lewis keeps the St. Croix branch distinct, which helps the ontology preserve rum-region differences inside what could otherwise look like one generic sour formula. | The finish is bright, crisp, and rum-led. | A St. Croix-rum sour preserving regional identity inside the broader family. | — | — | — | — |
| 4133 | 894 | — | 0 | Jack's Manual | J. A. Grohusko | 1910 | 82 | 1910 Jack's Manual by J A Grohusko.md | ["Shake the sugar, lemon juice, St. Croix rum, and cracked ice with a shaker.", "Strain, trim with fruits in season, and serve."] | Seasonal fruit | Cracked ice | — | — | — | — | — | — | — | — |
| 4898 | 894 | — | 0 | Bartenders' Manual | Bartenders Association of America | 1913 | 43 | 1913 Bartenders' Manual (Bartenders Association of America).md | ["Stir well, strain into a sour glass, and dress with fruit in season."] | Fruit in season | Fine ice | — | — | — | — | — | — | — | — |
| 8086 | 894 | — | 0 | The Old Waldorf-Astoria Bar Book | Albert Stevens Crockett | 1935 | 101 | 1935 Old Waldorf-Astoria Bar Book.md | ["Shake and strain over fruit."] | — | Ice | — | — | — | — | — | — | — | — |
| 1703 | 895 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 88 | 1900 Modern American Drinks by J Kappeler.md | ["Fill a mixing-glass half-full of fine ice and add the sugar, a little water, lemon juice, and Irish whiskey.", "Mix well, strain into a fancy bar-glass or leave on the ice, trim with fruit, and serve with straws."] | Fruit | Fine ice | — | — | — | — | — | — | — | — |
| 7419 | 895 | Irish=Ponche (caliente) | 0 | Cocktails | Pedro Chicote | 1928 | 305 | 1928 Cocktails by Pedro Chicote.md | ["Build in a grog glass, stir, and fill with hot water.", "Add a lemon slice."] | Lemon slice | — | — | — | — | — | This matters because it preserves a straightforward hot Irish whisky punch in Chicote's chapter. | The source describes a simple grog-style hot punch with lemon garnish. | — | — |
| 1704 | 896 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 88 | 1900 Modern American Drinks by J Kappeler.md | ["Prepare in the same manner as Irish Punch, substituting Jamaica rum for Irish whiskey."] | Fruit | Fine ice | — | — | — | — | — | — | — | — |
| 5659 | 896 | Down the Hatch 1920 | 0 | Down the Hatch | "Paul" | 1920 | 17 | 1920 Down the Hatch.md | ["Stir well and strain into a punch glass.", "Serve with cherry or pineapple."] | Cherry or pineapple | 0.5 scoop broken ice | — | — | — | — | This matters because it keeps the compact Jamaica-rum punch branch clearly visible in the early 1920s. | The small-scale bar-glass service is the defining point here. | — | — |
| 1705 | 897 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 89 | 1900 Modern American Drinks by J Kappeler.md | ["Dissolve the sugar with a little water in a mixing-glass.", "Add the lemon juice, maraschino, Kirschwasser, and fine ice; mix well.", "Trim with fruit and sip with straws."] | Fruit | Fine ice | — | — | — | — | — | — | — | — |
| 2241 | 897 | Harry Johnson 1900 | 0 | New and Improved Bartenders' Manual | Harry Johnson | 1900 | 203 | 1900 Harry Johnson's New and Improved Bartenders' Manual.md | ["Dissolve the sugar, citrus, and dashes of yellow Chartreuse with a little water or a squirt of seltzer in a large bar glass.", "Fill the glass with ice.", "Add the kirschwasser and mix well with a spoon.", "Ornament the top with fruit in season and serve with a straw."] | Seasonal fruit | Ice | Cherry eau-de-vie and herbal liqueur give the punch a sharper and more fragrant nose than the standard brandy line. | This is a cool decorated punch, but the kirsch and yellow Chartreuse make it more aromatic and less straightforwardly fruity than many neighboring entries. | The finish is lightly herbal, cherry-stoned, and brisk. | A kirsch-led decorated punch that widens the ontology's stone-fruit and eau-de-vie branch. | Kirschwasser Punch is a useful reminder that the nineteenth-century punch family was not limited to rum, brandy, whiskey, and wine. Johnson still preserves lighter continental spirit branches inside the same decorated glass-service grammar. | The yellow Chartreuse acts as a seasoning accent. The drink should stay punch-like rather than becoming a liqueur-forward oddity. | — | — |
| 2512 | 897 | — | 0 | The Complete Buffet Manual or How to Mix Fancy Drinks | J. E. Sheridan | 1901 | 56 | 1901 The Complete Buffet Manual or How to Mix Fancy Drinks by J E Sheridan.md | ["Fill three-quarters of the glass with shaved ice and add the ingredients.", "Dress with fruits and serve with a straw."] | Fruit. | Shaved ice | — | — | — | — | This is a useful checkpoint for kirsch-based punch service surviving inside the mixed-drink field. | Despite the contents note, the actual recipe is for an immediate fruit-dressed bar-glass service. | — | — |
| 4025 | 897 | — | 0 | Jack's Manual | J. A. Grohusko | 1910 | 62 | 1910 Jack's Manual by J A Grohusko.md | ["Mix the sugar, lemon juice, Chartreuse, Kirschwasser, and cracked ice well with a spoon.", "Ornament with fruits in season and serve with straws."] | Seasonal fruit | Cracked ice | — | — | — | — | — | — | — | — |
| 4324 | 897 | — | 0 | The Buffet Blue Book | John H. Considine | 1912 | 39 | 1912 The Buffet Blue Book bu John H Considine.md | ["Stir the ice, powdered sugar, lime or lemon juice, yellow Chartreuse, seltzer, and kirschwasser well in a large bar glass.", "Fill up with ice, trim with fruit, and serve with straws."] | Fruit | Ice | — | — | — | — | — | — | — | — |
| 4645 | 897 | — | 0 | Bartenders' Guide: How to Mix Drinks | Wehman Bros. | 1912 | 51 | 1912 Wehman Bros.md | ["Combine the sugar, lemon juice, kirschwasser, and fine ice, dress with fruit, and serve with a straw."] | — | Ice | — | — | — | — | — | — | — | — |
| 1707 | 898 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 89 | 1900 Modern American Drinks by J Kappeler.md | ["Put the lemon juice, sugar, Angostura bitters, whiskey, and French vermouth into a mixing-glass.", "Shake well, serve on the ice in a long glass, trim with fruit, and sip with straws."] | Fruit | Ice | — | — | — | — | — | — | — | — |
| 7422 | 898 | Manhatam=Ponche (caliente) | 0 | Cocktails | Pedro Chicote | 1928 | 306 | 1928 Cocktails by Pedro Chicote.md | ["Shake with a spoon in the shaker.", "Serve in a large glass and dust with nutmeg."] | Nutmeg | — | — | — | — | — | This matters because it preserves a hot milk-and-egg Manhattan-named punch rather than a vermouth cocktail form. | The source explicitly frames this as a shaken hot punch service, not a stirred aromatic drink. | — | — |
| 7864 | 898 | — | 0 | The Old Waldorf-Astoria Bar Book | Albert Stevens Crockett | 1935 | 58 | 1935 Old Waldorf-Astoria Bar Book.md | ["Serve the Manhattan cocktail in red ground glass."] | — | — | — | — | — | — | — | — | — | — |
| 1709 | 899 | George J. Kappeler 1895 | 0 | Modern American Drinks | George J. Kappeler | 1895 | 90 | 1900 Modern American Drinks by J Kappeler.md | ["Put the sugar into a mixing-glass and dissolve it with a little water, then fill the glass half-full with fine ice.", "Add the lemon juice, brandy, and St. Croix rum.", "Shake well, strain into a fancy bar-glass and ornament with fruit, or leave on the ice and serve with straws."] | Fruit | Fine ice | — | — | — | — | — | — | — | — |